The Oscar race is a marathon, not a sprint. There are dozens of pit stops along the way and trophies to be given out before the 2025 Oscars on Sunday, March 2. Keep track of precursor wins here with our scorecard. This includes honors from the big three festivals (Berlin, Cannes, and Venice) and will include awards from critics groups and guilds as we hit the heart of the 2024-25 Oscar season. Wins will be listed in accordance with candidates’ FYC campaigns (e.g. Karla Sofía Gascón, Selena Gomez, Adriana Paz, and Zoe Saldaña shared the Cannes Best Actress prize for “Emilia Pérez,” but it will be listed for the last three under Best Supporting Actress, where they’re being campaigned).
Updated: Tuesday, Dec. 3 with New York Film Critics Circle winners.
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Key:
BIFA: British Independent Film Awards
CCDA: Critics Choice Documentary Awards
HMMA: Hollywood Music in Media Awards
NYFCC: New York Film Critics Circle
BEST PICTURE
“Anora”: Cannes
“The Brutalist”: NYFCC
“Dahomey”: Berlin
“A Different Man”: Gotham
“The Room Next Door”: Venice
BEST DIRECTOR
Nelson Carlo De Los Santos Arias, “Pepe”: Berlin
Brady Corbet, “The Brutalist”: Venice
Miguel Gomes, “Grand Tour”: Cannes
RaMell Ross, “Nickel Boys”: Gotham, NYFCC
BEST ACTRESS
Karla Sofía Gascón, “Emilia Pérez”: Cannes (shared)
Marianne Jean-Baptiste, “Hard Truths”: NYFCC
Nicole Kidman, “Babygirl”: Venice
BEST ACTOR
Adrien Brody, “The Brutalist”: NYFCC
Colman Domingo, “Sing Sing”: Gotham
Vincent Lindon, “The Quiet Son”: Venice
Jesse Plemons, “Kinds of Kindness”: Cannes
Sebastian Stan, “A Different Man”: Berlin
BEST SUPPORTING ACTRESS
Selena Gomez, “Emilia Pérez”: Cannes (shared)
Carole Kane, “Between the Temples”: NYFCC
Adriana Paz, “Emilia Pérez”: Cannes (shared)
Zoe Saldaña, “Emilia Pérez”: Cannes (shared)
Emily Watson, “Small Things Like These”: Berlin
BEST SUPPORTING ACTOR
Kieran Culkin, “A Real Pain”: NYFCC
Clarence Maclin, “Sing Sing”: Gotham
BEST ADAPTED SCREENPLAY
“I’m Still Here”: Venice
BEST ORIGINAL SCREENPLAY
“Anora”: NYFCC
“His Three Daughters”: Gotham
“The Substance”: Cannes
BEST CINEMATOGRAPHY
“Nickel Boys”: NYFCC
“Love Lies Bleeding”: BIFA
BEST COSTUME DESIGN
“Firebrand”: BIFA
BEST FILM EDITING
“Kneecap”: BIFA
BEST MAKEUP AND HAIRSTYLING
“Unicorns”: BIFA
BEST PRODUCTION DESIGN
“The Assessment”: BIFA
BEST ORIGINAL SCORE
“Dune: Part Two”: HMMA
“Emilia Pérez”: HMMA
“Kneecap”: BIFA
“Nosferatu”: HMMA
“The Room Next Door”: HMMA
“Super/Man: The Christopher Reeve Story”: HMMA
“The Wild Robot”: HMMA
BEST ORIGINAL SONG
“Never Too Late,” “Elton John: Never Too Late”: HMMA
“El Mal,” “Emilia Pérez”: HMMA
“Beautiful That Way,” “The Last Showgirl”: HMMA
“The Journey,” “The Six Triple Eight”: HMMA
“Kiss the Sky,” “The Wild Robot”: HMMA
BEST SOUND
“Civil War”: BIFA
BEST VISUAL EFFECTS
“Civil War”: BIFA
BEST ANIMATED FEATURE
“Flow”: NYFCC
BEST DOCUMENTARY FEATURE
“No Other Land”: Gotham, NYFCC
“Super/Man: The Christopher Reeve Story”: CCDA (tie)
“Will & Harper”: CCDA (tie)
BEST INTERNATIONAL FEATURE
“All We Imagine as Light”: Gotham, NYFCC
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